Jessica has far too many worries on her mind to be distracted by the sexy on-the-run outlaw, Storm. And Storm has no time to pursue the beauty who invades his hideout; he has to clear his name. Too many barriers stand between the two of them to ever fall in love. Or can they overcome the obstacles?
In the four weeks since her guardians’ death, Eulogy Foster has lost everything.
Penniless and alone she seeks the help of her estranged brother, Lord Lucien Devlin. But Devlin throws Eulogy onto the streets and the mercy of a passing stranger, Jack Huntley, who becomes an unlikely ally. As Eulogy seeks the truth behind her birth, she is drawn into the world of art and artists, where her morals are challenged and nothing is as it seems.
Jack Huntley: bitter, cynical and betrayed in love. He believes women are devious, scheming, untrustworthy creatures – and when he rescues a naïve Miss from being raped, his life is about to change forever. There is something about Miss Foster that haunts him and challenges his emotions. But despite their growing attraction, Eulogy will not share her secret, which means he cannot trust her. Caught in a deadlock, both denying their true feelings, events take a sinister turn as someone seeks to silence Eulogy…forever.
Set during the life time of Rasputin (the mad monk of Russia), and spanning across Siberia and Europe
The Gypsy Witch, is a sweeping tale of the Romany (gypsies), their magical ways and romantic customs.
Rasputin, known for alcohol abuse, tantric sex and womanizing is on his way to controlling the court of Russia by convincing the Czarina that he is the only one who can heal her hemophiliac son. But when he meets a young gypsy girl he learns that he is not the only one with magical powers. And women’s feelings should never be taken lightly.
As of 5/22/12 this entire book has been rewritten and reedited
In 1935, the Nazis established a program called “The Lebensborn.”
Their agenda, to genetically engineer perfect Aryan children.
These children were to be the new master race, once Hitler had cleared all undesirable elements out of Europe. Within a year the first institution was built.
The year is 1943….
The forests of Munich are crawling with danger under the rule of “The Third Reich,” but in order to save the life of her unborn child Petra Jorgenson must escape from the Lebensborn Institute. Alone, seven months pregnant, and penniless avoiding the watchful eyes of the armed guards in the overhead tower, she waits until the dead of night. Then, Petra climbs under the flesh shredding barbed wire that surrounds the institute and at the risk of being captured and murdered she runs headlong into the terriying desolate woods.
Even during one of the darkest periods in the history of mankind, when horrific acts of cruelty became commonplace and Germany seemed to have gone crazy following the direction of a madman, unexpected heros came to light. And although there were those who would try to destroy it, true love would prevail. Here, in this lost land ruled by human monsters, Petra will learn that even when one faces what appears to be the end of the world if one looks hard enough one will find that there is always “A Flicker Of Light.”
Miss Beryl Wentworth is silently, desperately in love with her childhood friend, Finian Fitzwilliam, who unfortunately still treats her as if willing to shove her into the nearest mud puddle. It’s infuriating now that she at least has grown up, leading to uproarious and horribly public arguments between them, and it seems he’ll never treat her as a woman grown, never look at her that way… until a quite charming rake asks her for the first two dances at the Hanover Square assembly room. Dare she hope that His Grace, Ernst Anton Oldenburg, the Duke of Cumberland (and some say a foreign prince) is serious, even if Fitz is not?
Fitz can’t believe it. The man’s a rake, he ruined Anne Kirkhoven only weeks ago, and now Beryl agrees to dance with the villain? Strong-willed she might be, but there must be something Fitz can do to extricate her from that ducal clutch. Even if it means interrupting them behind the shrubbery in Hyde Park.
How can the Scoundrel of Mayfair bring two feuding hearts together without setting off the final argument that tears them apart forever?
Named for heaven, the kingdom of Elessia once served as a beacon to the world. Now its name has become a byword for decadence. When Lord Prince Marcus hears the beginnings of a vast conspiracy from the lips of his dying mother, he sets out to uncover the motives lurking behind the war his father waged. With the help of Kaelyn—a sharp-tongued courtesan nursing a long-hidden desire—and Vernon de Gauthier—a near-disturbingly prolific womanizer with a weakness for apples—Marcus slowly unearths the truth: his country lies on the brink of collapse. And soon, the vanquished nation of Kydona will rise to settle a generation-old score.
In Elessia’s debauched court, the threat goes unheeded. Marcus’s romances bloom and just as quickly wither. Blood is shed, lives extinguished. It matters little. Quarrel and murder, lust and love, right and wrong—the lines that separate these are hopelessly blurred in the throes of court intrigue. And the difference between each rests on a knife edge so sharp that even a hero cannot tell them apart.
Lady Francesca Darling has been in love with Devlin Ross, the Duke of Hereford, since she was five years old. When they meet again at her debutante ball she finds her feelings remain the same, and to her joy he is mesmerized by her. To the gossipy matrons of the ton it’s the perfect match–the richest heiress and the most eligible bachelor.
But can their budding love survive her interfering family and the deep scars from his father’s abuse? Enchanted as he is with the delightful woman Fanny has become, Devlin intends never to repeat that abuse, vowing not to live with his wife and children.
Fanny is a determined young lady — she wants Devlin and a true marriage. Is her love strong enough to tear down all his walls?
A mistaken identity opens the door for Martin Mulvaney to wreak revenge on his mortal enemy.
To save her brother from prison, Elizabeth Campbell rides over to plead his cause with their hostile neighbor, Martin Mulvaney. Caught in a fierce storm she is thrown from her horse. Suffering amnesia from a head injury she stumbles into a camp of rogue gypsies. After days of living in terror she manages to escape her captors.
Martin Mulvaney, a wealthy recluse lives in a mansion shrouded with dark secrets and scandal. Brought up by a tyrannical father he has never known love or affection.
One wintry night he finds a young woman (Elizabeth Campbell), collapsed on his doorstep. Babbling and distraught and with no memory of who she is, the only words he hears clearly are “Don’t take me back to the Black Stallion.”
Believing she has run away from the Black Stallion, a classy bordello, Martin takes her to his bed. Realizing his mistake when it is too late, he sets about teaching her to be the woman of every man’s fantasy.
Weeks later, he is stunned to find out his dream woman’s name is Elizabeth. She is the granddaughter of his mortal enemy, the proud old Scottish highlander, Fergus Campbell.
By this time Elizabeth is with child, and Martin is compelled to marry her.
When her memory returns, Elizabeth does not recall her ill-treatment at the hands of the gypsies, but is shocked to find herself married to Martin. She soon realizes he is not the black hearted villain her grandfather painted him. Is it possible to teach someone who believes women were put on the earth purely to satisfy a man’s carnal needs, the difference between love and lust?
Enemies from Martin’s past, intent on exacting revenge, kidnap Elizabeth who eventually manages to escape her tormentors.
By the time Martin realizes he loves his wife, bushfires are laying waste to the countryside, and Elizabeth and her unborn child are trapped. Martin sets out on a desperate mission to save them. On the burnt out grass of the Campbell farm, he has to deliver not one, but two babies.
For Martin and Elizabeth a new life and love springs force amidst the ashes of ruin.
Reagan Burnsfield has no interest in finding himself a wife. But that’s exactly what he must do when a lumber contract falls through and threatens the family business. Marrying the beautiful debutante Amanda Bruester for her dowry will solve his short term need as well as give him the wife of his dreams.
His courtship is hindered until they are arrested after stumbling upon bounty hunters hotly pursuing runaway slaves. In the ensuing scandal, Amanda chooses marriage over betraying her Aunt Gabriella’s illegal activities in the Underground Railroad.
Yet, despite being properly wed, another suitor, Derrick Banning, is determined to break apart their hasty marriage. He fancies it is he, not “that arrogant lumberman,” who should be enjoying Amanda’s wealth. While snowed in at his lumber camp, Amanda discovers papers that imply Reagan’s offer of marriage wasn’t the sacrifice she thought it to be. Despite his assurances that he acted to protect her, Amanda begins to doubt everything about him.
To complicate matters, mysterious scratches on Reagan’s back seem to point to infidelity, further proving he’s the untrustworthy knave Derrick claims him to be. When a prostitute’s body is found in his office and Reagan is arrested for murder, Amanda flees to her aunt’s house until the mystery can be solved.
Tensions rise in the Highlands as the Scots fight for their independence from English tyranny. But amidst the chaos, Robbie MacGillivray and Jane Sewell are able to carve out a sliver of happiness for themselves, however brief and intermittent their time together may be. The odds are against them: he is the dispossessed chief of Clan Gillivray; she is the young, English wife of his enemy, Lord Reginald D’Aubrey, Baron of Dunloch.
Those odds will eventually topple their precariously balanced happiness. Infuriated by the MacGillivray chief’s royal pardon, Lord Reginald will stop at nothing to bring the chief of Clan Gillivray to his death. Caught in the middle of the conflict, Jane must decide, once and for all, where her loyalties lie – with her English King, Edward the Longshanks, or with her love, her Highlander?
And what will she do when the true laird of Dunloch returns?
Author Veronica Bale continues her debut trilogy with the anticipated second volume in the Highland Loyalties series.
Robert MacGillivray, chief of Clan Gillivray and outlaw, has fled his former home of Dunloch Castle to avoid capture by Lord Reginald D’Aubrey, the English baron who has sworn to bring him down. His departure leaves the young and naive Jane Sewell, Robbie’s love … and Lord Reginald’s English bride, vulnerable.
Day after day Jane waits for word of Robbie, growing more and more despondent when nothing is to be heard – until the day that Robert MacGillivray resurfaces in a bold and daring move to reunite and strengthen his clan.
What does this bold move mean for Jane? Will her loyalties remain with Lord Reginald as her husband, or will she find them swaying towards Robbie once more?
Author Veronica Bale’s debut novel, Bride of Dunloch, is a gripping story of love and conflict in the time of the first Scottish War of Independence, and of one young girl’s struggle to determine for herself what is right and what is wrong.
In the watery grey light of a late spring dawn, two forces meet to oppose one another at the main gate of Dunloch Castle, an imposing structure nestled deep in the Scottish Highlands. On the attacking side are the MacGillivrays—a clan dispossessed of its ancestral lands and home because its members would not swear loyalty to the English King Edward the First. Dunloch is theirs, and they will take it back—by any means necessary.
So is the world in which Jane Sewell, a young and naive English girl of noble birth whose hand has been given away in marriage, finds herself. It is a land that is as bloody and brutal as it is beautiful. But when she stumbles upon a wounded Scottish warrior from the enemy MacGillivray clan, her compassionate nature will not allow her to abandon him. Against her better judgement, she resolves to help him in secret.
As tensions at Dunloch intensify, however, Jane finds herself torn between her duty—and her heart. For in these Scottish Highlands, loyalties can change as quickly as the weather …
Margaret is intelligent, independent-minded, and passionate about her own concerns. But how does she carve a niche and an identity for herself within the repressive constraints of Victorian society? This sequel to Elizabeth Gaskell’s North and South takes off from the concluding scene in its retelling on the BBC miniseries. It is a Victorian feminist bildungsroman (coming-of-age novel) couched in romance.
Gaskell wrote Margaret Hale as a character blossoming into one who did not fit the mold of the typical woman of her time. She exudes a natural self-assurance and a brooding intelligence that butts itself against John Thornton, the virile alpha male who is, nevertheless, vulnerable.
Margaret of the North focuses on how Margaret whittles away at Victorian repression—both self-imposed or socially-dictated. She marries John Thornton and confronts not only her place in a rapidly changing society but also her growing awareness of her persona as a woman with compelling sexual, familial, and self-actualizing needs. One who wants a voice and makes a mark.
The romance is not only in the love between John and Margaret but also in the adventure and excitement Margaret undergoes as she discovers herself, a journey that happens quietly and mostly internally.