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You are here: Products Who Killed ‘Tom Jones’? by Gale Martin
Cover image of the book
Cover image of the book

Who Killed ‘Tom Jones’? by Gale Martin

Ellie Overton is a 28-year-old rest home receptionist with a pussycat nose who also happens to be gaga for the pop singer Tom Jones. Regrettably single, she is desperate to have a white-hot love relationship, like those she’s read about in romance novels. Following an astrological hunch, she attends a Tom Jones Festival and meets an available young impersonator with more looks and personality than talent. Though he’s knocked out of the contest, he’s still in the running to become Ellie’s blue-eyed soul mate—until he’s accused of killing off the competition. It’s not unusual that the handsome police detective working the case is spending more time pursuing Ellie than collaring suspects. So, she enlists some wily and witty rest home residents to help find the real murderer. Will Ellie crack the case? Must she forfeit her best chance for lasting love to solve the crime?

SKU: B00HWEGAQK Category: Contemporary Tags: contemporary fiction, Gale Martin, humor, murder mystery, romantic comedy, romantic mystery, Tom Jones
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About the author:

GALE MARTIN is an award-winning author of contemporary fiction who plied her childhood penchant for lying into a legitimate literary pursuit during midlife. In 2011 Booktrope Editions published her debut novel DON JUAN IN HANKEY, PA, a humorous backstage story about an opera company trying to stage ‘Don Giovanni’, which was named a “Best Kindle Book of 2013” by Digital Book Today. GRACE UNEXPECTED (2012) features a professional woman with a heart of fool’s gold, who unexpectedly gets entangled in a love triangle. She regrets never throwing a single unmentionable at Sir Tom Jones or one of his tribute artists. She has an MA in creative writing from Wilkes University. You can find out more about her at her website: http://galemartin.me.

What inspired you to write your book?

My closest childhood friend married an Elvis impersonator. Though their marriage didn’t last the idea of trying to make a life with someone whom other women threw themselves at must have stayed with me and found expression in this book.

Here is a short sample from the book:

(An excerpt from Chapter 2: “Why, Why, Why?”)
“Ladies and . . . ladies,” a male voice announced over the loudspeaker.
Women hooted and cheered like they were attending a male dance review and not a specialty talent competition. “Please give a warm Pankey welcome to our first contestant, Stan McCann.”
Ellie pinched herself. She couldn’t believe she’d actually felt a spirit of foreboding earlier. The atmosphere inside the tent bristled with giddy expectation. Tonight was going to be more fun than shooting the moon during an online game of Hearts.
At the mention of the contestant’s name, the middle-aged woman sitting beside Ellie shrieked like someone had plunged a carving knife between her shoulder blades.
“What’s the matter?” Ellie asked, wondering whether she was to be subjected to agonizing cries like this all night. “Are you all right?”
The woman pressed a perfectly manicured hand to her chest, presumably to still her furiously beating heart. “Yes, well. I saw Stan McCann in Atlantic City. He’s fantastic. He won the contest there.”
The woman wore a lace-trimmed, low-cut sleeveless tee, jeans ripped across the thighs and knees, and rawhide boots. Though she had the ideal figure for her Gretchen Wilson-inspired look, she was dressed younger than she should for someone with crows feet lining
her eyes, which probably meant she was older than Ellie suspected or had lived a young life awfully fast. She tapped Ellie on the shoulder. “That competition was judged by Tom Jones himself.”
The woman’s wedge hair cut and heart-shaped face made Ellie think of figure skater Dorothy Hamill. A strange coincidence. Not only was her face the same shape as Ellie’s but when Ellie used to wear her hair shorter, her mother’s friends said she reminded them of Dorothy Hamill, too. Was this person who’d change her life, predicted by Ellie’s horoscope? She hoped not. Ellie wanted the stars to match her up with a desirable male. What lonely single woman needed more girlfriends, after all?
“Dorothy” groped the inside of her denim handbag, retrieved a pair of red lace bikini panties, and shook them in front of Ellie’s face.
“For Stan,” she gushed.
Ellie hadn’t packed any panties, preferring more tasteful and personal expressions of fandom. Not to mention that holey, dingy Jockey briefs were not to be tossed anyone’s way in public. If a romantic interlude was her destiny, Ellie figured she’d have to invest in some new undergarments.
How about that! The real Tom Jones had picked Stan McCann as the impersonator most like him? Ellie had underestimated the caliber of competitors in this contest. She could scarcely wait to hear and see them.
Piped-in music swelled in signature strains. One, two, three. One, two, three. The familiar vamping of a minor chord in three-quarter time. More of those same characteristic chords for four more measures. The entrance music was lasting far too long. McCann had missed his cue.
Then the music stopped completely, and the crowd rustled in their seats. A few began to boo because that’s what people did in Pennsylvania when the music or sound cut out during a show or a movie. Heck, Pennsylvanians would boo their own grandmothers if they missed their cues.
Pretty crummy way to start a show. The technician should have waited to start the music until all the performers were ready to take the stage. In less than a minute, the familiar waltz-tempo chords resumed.
One, two, three. One, two, three. One, two, three. One, two three. This time a resonant male voice—Stan McCann’s, she presumed—began belting out “Delilah,” one of Tom Jones’ biggest hits, and the crowd cheered him and the fact that the show had finally taken off.
“I saw the light on the night that I passed by her window,” McCann sang as he proceeded down the stage-right steps and strutted through the aisle, approaching Ellie’s row. All decked out in a black bolero jacket with a sequined lapel, starched white shirt, and satin
cummerbund, he could have doubled for a bullfighter on a dude ranch. He looked yummy. Good enough to eat.
“Stan? Oh, Stan?” Dorothy Hamill called in a high-pitched squeal. Dorothy hurled her panties towards him, and they sailed past Ellie’s face, landing in the middle of the aisle at his feet. “For you, honey,” she cried.
Between stanzas, McCann retrieved the panties, rewarding Dorothy with the attention she craved. Then he mopped his brow with them, causing a fresh round of squeals. Like a toreador, he bowed theatrically to the smitten panty-chucker. “Thank you, darlin’,” he purred, in a rich lilt that sounded like he’d been weaned in Wales instead of the U.S.A. Then he aped sniffing her panties. “We’ve met before, haven’t we?”
Dorothy screamed louder than the lovesick teenagers at the first (and last) Hanson concert Ellie had attended in junior high school. If Dorothy howled in her ear like that again, Ellie might have to stomp on her brown suede boots.
She groaned out loud at Dorothy’s antics, which caught McCann’s attention. He met her gaze, then cut his eyes to Dorothy’s face, giving her outfit a onceover. “Sisters?” he asked.
As if! Ellie thought.
Embarrassed, Ellie shook her head no, but Dorothy cried out, “Yes, yes!”
That one would say anything McCann wanted to hear.
As McCann strutted down the aisle toward stage left, Dorothy turned on Ellie. “Why didn’t you tell him we were sisters?”
“Why do you think?”
Dorothy pouted. “But he was looking for sisters.”
I’ll bet he was. Ellie thought. Or at least the persona he’d adopted was. But it was best not to scold Dorothy. If she wanted to behave like a fawning groupie, that was on her. But Ellie didn’t want to be sucked into that scene. It was common knowledge that in his prime, Tom Jones slept with 250 groupies a year. If one of his impersonators behaved like that as well, she wanted nothing to do with him. Nor did the situation require launching into an explanation of why Ellie was in the audience to begin with. Certainly not for a one night
stand with a Tom Jones impersonator, no matter how good he was. No, Ellie clung to a thread of hope that she might find (dare she even think it?) her soul mate here, not someone pawing at her between the sheets for a quickie with the very next quickie waiting in the wings.
As it turned out, a barrage of panties and one or two bras chased McCann all the way to a set of wooden steps flanking the stage. The stairs hadn’t been painted yet. In fact, the entire stage unit must have gone up hastily, from the slapdash look of it. McCann picked up one of the brassieres and swung it over his head as if preparing to lasso some lucky Double-D cup in the crowd.
“Oh, oh, oh,” Dorothy cried, as if pained again.
This was some serious fan crush, bordering on groupie pathology. Ellie was equally as enthusiastic a Tom Jones fan but prided herself on showing more restraint.
McCann swayed back and forth in front of the stair unit, in three-quarter time. Though his head and broad shoulders dipped right and left, his crisp white shirt barely moved. Extra starch, she supposed.
“My, my, my, Delilah,” he sang, his unrequited love for the two-timing Delilah infusing every grand gesture. As Ellie let the familiar refrain in a pitch-perfect imitation wash over her, she remembered a particular video of Tom Jones himself singing this song on some British version of “American Bandstand,” while hundreds of young people struggled to fast dance to a waltz-time ballad. Tom Jones warbled like a champ, but the crowd’s attempts at dancing put her in mind of gooney birds doing the time step.
McCann had cultivated the singer’s signature mannerisms—punching the air rhythmically, sliding from one note to the next in a dramatic portamento—and every bit of the swagger.
“He’s a great impersonator,” Ellie said.
“Tribute artist,” Dorothy scolded. “These days, they like to be called tribute artists.”
Ellie nodded sheepishly. Between the chorus and the next verse, McCann started up the stairs to the stage. As he ascended the third step, it was as if the show switched to slow motion. McCann lifted his left leg, poised to land on the next stair. Ellie watched in horror
as it crashed through the plywood plank, tearing McCann’s perfectly creased pants and reducing his left leg to an unsightly stump, at least from the audience’s perspective.
Festival-goers gasped. McCann stopped singing and clutched first at his thigh and then at his groin, unable to extract himself from the jagged plank.
“Help,” the baritone trilled in an agonizing register that rang out almost an octave higher. “Somebody . . . help!”
The piped-in accompaniment stuttered to silence.

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    Ensie smoothed out the dog-eared corner of the blueprints for the dozenth time. She shifted her weight on the bench, feeling the warmth of the sun on the back of her neck. She was too poor to own a watch, but she resisted the temptation to duck out into the hallway again and check the sepia-faced clock mounted on the wall. It had been 10:20 on the spot when she’d checked it moments ago. That meant that, by now, twenty-five minutes at most had passed since she’d left Mister Upforth and the rest of his team. And Upforth had said Cooper—or was it Carper?—would meet her in fifteen minutes. But the drafting room might be hard to find, for a civilian who’d never seen the Aerial compound before. And there had been an awful lot of wood left in that cart for just one person to move quickly. Even someone so tall, with those big arms and broad shoulders…

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    “I’m Ensie,” she said, for no reason.

    Why, oh why, oh why do I speak?

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    “I’m sure, probably,” she laughed. She touched her fingertips to the desk and found herself leaning towards him. “My third time, at least. And somehow I’m still not sure what your name is! Carper? Cooper? Caper?”

    “Cooper Carper, actually.”

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    She tilted her head at him. ‘Technician?’ Who are you, Sir Tomas? “You can call me Ensie.”

    “Well, then,” he said, pressing the door closed behind him with a click, “you can call me Cooper.”

    Business!

    “I’m on a project now for a concept craft called the Flicker,” she said, brushing the blueprints with her hands as she stared fixedly at the parchment. Cooper came over to the side of the desk to look. His hands floated in space for a moment as he considered resting a big palm on top of the desk to lean over the plans, as she was doing, which would have brought their heads very close together. But instead his hands interlocked behind his back in a sort of parade rest and he just bent his head to look down. Ensie tried not to watch him as she folded the dog-eared corner back into place for the thirteenth time.

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    Burn me. Maybe Mister Upforth had a good reason for wanting that woman Skye to be the one to talk to me…

    “So,” he said at last, shifting his weight. She looked up at him. “What exactly do you need us for?”

    “Just wanted to, uh, forge a partnership with Upforth’s for a consultation on our ranine apparatus. That’s all.”

    Cooper nodded. His forehead was wrinkled with vigorous thought. Ensie folded her hands together and tried not to let her disappointment show. He had the look of someone at an absolute loss for the right thing to say. Please, please, don’t be stupid.

    “Honestly?” Cooper said.

    “Mmm-hmm?” she said, tucking one of her bangs back into her hairnet.

    For a long moment, he just looked at the plans. Then he shook his head and gave a heavy sigh. His hands reappeared from behind his back and he leaned down so quickly their foreheads almost brushed.

    “Mister Upforth’s going to kill me,” he said, “but I don’t think you need us at all. The ranine designs you already deploy don’t have any trouble getting a Bulwark Petronaut off the ground, do they? And a Bulwark ‘naut in full armor’s gotta be eighty percent of the weight of this Flicker; maybe even the same, if their suits are steel and this alloy of yours is as light as all that. And I can’t imagine your test pilots are bulked-up the way Bulwark grunts are. I mean, who flies your things?”

    “Knighted ‘nauts and expert techs, mostly,” Ensie said, her eyes widening. There was a whole new energy to him.

    “So, right! When I think of a burly man or woman in armor jumping through the air no problem, and then I envision someone on the svelte side—like you—piloting a Flicker that, all things being equal, is the same weight but with, you know, better airflow?”

    “Hang on,” she said.

    “Sure. Sorry. I know I don’t have the right terminology—”

    “Did you say, uh.”

    She pressed her lips together. Business! But there was no hope.

    “Did you say I’m ‘on the svelte side?’”

    Cooper’s looked down at her. His face went gray with horror.

    “I hope that word means what I think it means,” he whispered.

    She looked to the far wall. Cute? Petite? Is that what you meant? She longed to ask him that like a Parade squad nymph would say it, drifting towards him with an archly raised eyebrow and a lazy, kissable half-smile. But just playacting through the line in her head set a swarm of nervous giggles buzzing around in her throat, perilously close to her voice box, and it was all she could do to keep a lid on them.

    “You’re.” Was that my voice? The word was a mortifying squeak.

    Ensie swallowed and tried again. “You’re right that the aerodynamic profile of the Flicker sure beats an armored ‘naut,” she said, folding the corner of the blueprints back for the fourteenth time. “And weights are comparable. But the jumping action we’re thinking of is on a different scale.”

    “Ah, okay. Higher elevations.”

    “Yes, but more importantly, jumping’s the primary locomotion for the Flicker. A ‘naut can leap around from time to time, sure, but most of what they do is run. A totally different use of the coils and their, uh, built-in suspensions. Their legs.”

    “Whereas the Flicker does nothing but jump,” Cooper said, rubbing the back of his neck.

    “Jump, and glide, and jump, and glide. You see? That’s why we need to make sure the coil box we build can handle tons of impacts, and launch with tons of force; but not so much force that the pilot loses control. See? It’s tricky.”

    “It’s tricky,” he agreed. Cooper raised his hands. “To be honest, though, I’d trust you Aerials more to make it work right than I’d trust us.”

    “But, uh.” Was he really going to walk out of her life because he was too honest to land his company a contract? Keep him. Keep him here! a hungry voice blared out somewhere inside her.

    “You must have done something this size before,” she said, hurriedly.

    “Oh, sure. We’ve worked big carriage suspensions. A motorized dais that raised and lowered, too, and had a bunch of dancers leaping around on it for, uh, a play or something.”

    “See? So Upforth’s could lend experience with scale, while we figure out the whole ‘aloft’ part.”

    “Ensie. I just want to be sure we wouldn’t waste your time.”

    Ensie took a deep breath through her nose. “It would take a lot of time,” she said slowly. She curled her hands into little fists, rubbing her thumbs against her fingers as she looked up at him. No giggling. No giggling!

    “We’d have to meet, uh… quite a few times, probably.”

    Cooper looked down at her. His hands unlocked from behind his back and floated to his sides. “Quite a few times?” he said, quietly.

    “Oh, yeah. A big project like this could take hours and hours of collaboration.”

    He nodded. One of his large fingers pointed to the desk. “Here?”

    As he tapped the surface of the desk, Ensie thought of purposes for the wide flat surface that had never even crossed her mind before. She’d never wanted to get started on a collaboration so badly.

    “Or your workshop,” she said. “You know. Whichever sounds more productive.”

    “Either sounds good to me.”

    “Great.”

    “Great. Can I say—”

    “I just want to—”

    They both spoke up simultaneously, and leaned a little closer at the same time. It brought them many centimeters closer than either had meant independently. Ensie froze there. He was so close that her hairnet was almost brushing the center of his chest. She turned her face up to him and saw something very interesting in his eyes.

    “You first,” she whispered.

    Cooper took a long moment before speaking. “Can I just tell you that I’m looking forward to working with you?”

    “Likewise…” Ensie shifted her hand so their fingertips on the desk were touching. “Cooper.”

    He shifted his hand on top of hers. Warm pressure, skin-to-skin, flooded up her arm and into her chest. The contours of his rough palm were fascinating as she explored them through the fine hairs and delicate nerves of the back of her hand. Her vision went a little blurry as she dedicated all her brainpower to experiencing his touch against her skin.

    A massive noise clattered through the hallway just outside. Ensie recoiled before she recognized the sound of the tool cart for what it was. Cooper started too, raising his hand up and away. He flushed the color of an overripe apple and he refused to meet her eyes as the tech outside pushed the noisy cart from one workroom to the next.

    “I.” Ensie brushed the nonexistent dust off the blueprints again, trying to get her voice under control again. Cooper slowly put his hands behind his back.

    “That, uh.” He cleared his throat. “I’m sorry. That was unprofessional of me, and I’m sorry.”

    She looked up at him.

    “I shouldn’t have… I mean, I didn’t mean anything by, by touching you.”

    “You didn’t?”

    “Well, I… it’s not… There’s a time and a place, that’s all. Unprofessional,” he rambled, shaking his head.

    Ensie felt the grain of the desk beneath her hand. “I made you think unprofessional thoughts,” she murmured.

    Their eyes met.

    “It’ll never happen again,” he said, something low coloring his voice.

    Ensie raised one eyebrow in an unspoken ‘really?’ she would have been very proud of if she had been able to see herself.

    Sunlight flooded the room as their lips pressed together.

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    Four years of daily passionate loving, near the ocean, in the car, during moonlight days and sunset horizons, coupled with glasses of rum punch, came to a halt when thick lipped, Linus Hyacinth, emigrated from St. Lucia to Canada in October 1972 in search of greener pastures.

    In the midst of trying to adjust to the extreme changes in climate, he searches for work as an architectural draftsman. Miserable and missing his lover, he worries about her loyalty amidst a sea of man-peckers. He writes her weekly professing his love and his desire for her to join him.

    Nine months later, June 1973, the naive Claudette Alexander, sets off on her journey in pursuit of love and prosperity. In Canada, love takes on a different direction as she tries to adjust to Linus’ broken promises, culture shock, racism and single parenting.

    As she embarks on the sea of love, she encounters stormy weather and her heart gets as frigid as the North American winters. It will take a special man to crack through her icy heart.

    After four failed relationships, she meets Malcolm James. He is quiet, patient and soft spoken and has loved her when he first met her as a teenager. He has yearned and longed for her. Crossed the ocean, and had his fair share of failed relationships.

    But Malcolm needs to break down these walls and bore through her icy heart to rescue her from herself and get to the sunrise as she battles kidney failure.

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