Conor’s life consists of drugs, drink and getting dirty with as many women as possibly. He doesn’t care about the size, shape or colour as long as they want uncomplicated fun then he’s happy. For him love and relationships come with dire consequences and that’s not how he wants to live his life.
To Conor’s dismay, he finds his married boss Marcus, is having a fling with his very own sister Debs, and Conor has been asked to cover the trail by lying to the boss’s wife. The only problem is that he works with Neve and she’s no pushover.
When everything comes out into the open, his loyalty to friends and family are put to the test as people he thought he knew well are not what they seem. And when an ex walks back into his life he is once again ruled by the snake in his pants knowing she’s more than a handful to deal with.
Conor begins to find his simple hedonistic life being taken over by other people’s clouded judgement on their need for love, while he tries to avoid the same thing happening to him.
Except ‘love’ is creeping up on him in an unexpected place that he would just about do anything to avoid. And temptation is going to lead him and his loved ones into trouble with serious consequences.
Hannelore Riker is a grad student with a dry sense of humor, a pathetic dating life, and little patience for grade-grubbing undergrads. She does her best to keep from falling for a guy who always seems ready with a witty remark, and she learns to deal with eccentric professors who play by their own set of rules.
Some reviews for Hannelore Takes Note:
“[L]ike talking to a girlfriend…lovely in [parts], funny everywhere else.”
“[I]t was compelling, the characters were imaginative.”
“I really enjoyed this book and was laughing out loud at some of the antics…”
“The author did a really great job of writing with a snarky wit…The characters were well developed…”
A young man, Igor, adopts as his mother a middle aged woman, Sylvia, after meeting her in a café, each having come from the nearby cemetery. He had been visiting his mother’s grave; she, her son’s. In taking it upon himself to investigate the death of Sylvia’s son, Igor soon finds himself confronting racists. Sylvia is black; Igor is white. The deeper he delves, the more intricately embroiled he becomes and the more he becomes the focus of a police investigation himself.
Alongside the surface interplay of the characters, Igor remains preoccupied with an inquiry into the nature of existence. Within the field of human activity, notions of ‘good and bad’ and ‘pleasure and pain’ are perhaps bound to prevail, but the essence of existence must precede such differentiation. The presence of suffering in the world should not be taken as proof that the world cannot be perfect. A photograph consisting only of black or only of white would probably seem pretty boring. A world consisting only of good or only of bad would perhaps be comparable to such a photograph. Each extreme acquires its significance by being in juxtaposition with its opposite. Happiness does not result from the elimination of suffering; rather, happiness may ensue when the realm of pleasure and pain has been transcended.
One aspect of the title, Black & White, relates to issues of race. Another aspect relates to Igor’s ability in violent situations to interpret matters in black and white terms. However, it is as a general phrase covering all dualities that the title derives its primary import. The use of the ampersand character in the title imitates its usage by photographers when referring to ‘black & white’ images, and is intended to denote a synthesis of the individual terms into a unitary whole.
The book includes some brief passages depicting scenes of polyamorous sex (pleasure) and homicidal violence (pain).
Ellie Overton is a 28-year-old rest home receptionist with a pussycat nose who also happens to be gaga for the pop singer Tom Jones. Regrettably single, she is desperate to have a white-hot love relationship, like those she’s read about in romance novels. Following an astrological hunch, she attends a Tom Jones Festival and meets an available young impersonator with more looks and personality than talent. Though he’s knocked out of the contest, he’s still in the running to become Ellie’s blue-eyed soul mate—until he’s accused of killing off the competition. It’s not unusual that the handsome police detective working the case is spending more time pursuing Ellie than collaring suspects. So, she enlists some wily and witty rest home residents to help find the real murderer. Will Ellie crack the case? Must she forfeit her best chance for lasting love to solve the crime?
HUCKLEBERRY MILTON is a brand new rewrite of Mark Twain’s Huckleberry Finn, set in a time warp between Haight-Ashbury in the Summer of Love and today, right here on the social-media Internet. It’s like Austin Powers meets The Office with a mix of 80s technology and today’s Internet. The experimental literary cut-up techniques, the pop culture references and and the psychedelic touches make it a book that can be read forwards and back, to and from anywhere. Now who’s got the remote for that 400-channel Russian satellite dish?
Sunspots follows the healing journey of a young woman thrown into the horror of losing a spouse. It is a story of loss and redemption and the ghosts that haunt our lives and our houses. A love story, a romance, and a mystery of sorts, Sunspots, is above all an exploration into the psyche and emotional arc of the MC and it follows no formula.
“One can never be, and should never be, smug about life,” says Aurora Goldberg. An aspiring New York actress who has never realized her dreams, Aurora keeps herself afloat by doing odd temp jobs where her rich fantasy life helps her get through the day. Aurora sees the world through the lens of characters in literature and film and these fictionalizations are woven into her interpretation of reality. On one of her temp assignments she meets Jake Stein, a man who could “charm the skin off a snake” and she decides to follow her destiny as his wife in Austin, Texas. But Jake’s sudden death after two short years disintegrates her world and Aurora must reevaluate her life and let go of a love that has become an obsession.
Sunspots takes the reader on a journey of high emotion as Aurora uncovers Jake’s secret life and her own internal conflicts as she matures to self-awareness. Narrated by Aurora, the novel’s tone vacillates from irreverent humor to solemnity as she relates her previous life with Jake and her present challenges. The title refers to the solar maximum which became the backdrop for Aurora’s conception when her hippy parents went to Canada to observe the Aurora Borealis. In name and in spirit, Aurora is connected to the observable and unobservable energy around us.
With the help of friends, family, and the ghost of Viola Parker (her home’s original owner), Aurora accepts her fate and the secrets revealed about Jake’s true character. She realizes that in this life she will finally break the cycle of pain caused by her love for this man, Jake Stein, through the centuries.
Embedded in the novel is the question of the afterlife and paranormal events abound. The incidents are left vague enough so the reader is not certain if they are external events witnessed by Aurora or exist only in her own mind. My approach to the extraordinary has always been with keen interest and skepticism. Just as we cannot see unaided that at the quantum level solid objects consist of vast spaces and swirling particles, so too, we define our human existence with only our limited five senses, three dimensional orientation, and our perceived space/time continuum. So then, what can one say with any certainty is reality?