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Cecilia Jones is a writer with a very naughty imagination.
“We’re going to play a game,” he said. “Would you like that?”
“Yes,” I said, my throat so tight I nearly choked on the word.
“There are only two rules to this game. Rule number one.” He held up a slender, elegant finger. “You do not move unless I move you. Understand?”
I nodded.
“Good girl. Rule number two.” A second finger extended beside the first. “You must hold onto the coat hanger at all times. If you let go of the coat hanger, the game ends. Is that clear?”
I nodded again.
“Say it.”
“Yes,” I said, “yes, that’s clear.”
“Good.” The corner of his lip lifted in a smile. “Very good. Let’s begin.”
—
Note: This 4,500 word erotic story contains explicit sexual content in a steamy, M/f BDSM scenario. It is intended for adult audiences only.
Cecilia Jones is a writer with a very naughty imagination.
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Ivy Summers is used to hiding her emotions, flaws, and almost all of her grim past. The past that no matter how much she tries, is bonded to her forever. Life has not been kind to her, and waiting for a better future has brought her to the breaking point.
It’s when she meets Dr. Jacade Jordan, the new plastic surgeon with a bad boy attitude, that her entire universe spins in a direction she never knew existed. The force she feels towards him is undeniable.
The novel deals with the theme of a young man’s sexual awakening. The male hero is Jim Collier, sixteen, shy and virginal. The female hero is Gabriella Blenkinsop, eighteen, experienced, beautiful.
The setting is the annual cricket match between St Swithins Boys School and the local grammar school shits. Gabriella is the Head Girl of St Swithins Girls School; her boyfriend is Algy, Head Boy of the Boys’ School. Jim is one of the opening bowlers for the grammar school shits.
Gabriella is an arrogant, upper-class bit of hot totty. She wants to see the lower-class grammar school shits taught their customary annual lesson. St Swithins have merely to knock off eighty-odd runs to win the match. It should be easy.
Gabriella is discomfited by young Jim; usually so cool and self-confident, she feels and becomes clumsy and awkward before him. She is determined to see him, and his whole race and class, humiliated.
Jim has developed two particular types of delivery in his fast bowling; he bowls like a devil and begins working his way through the line-up of upper-class wallies, to the fury of Gabriella.
We also meet Jim’s parents, his dad obsessed with football and his mum forever reading celebrity magazines, and Gabriella’s parents, two upper-class decadents making their ravenous way through the supply of working-class sexual fodder rounded up for them by their man, Chivers.
Gabriella gets her daddy to change the rules so that she can go in to bat and save St Swithins from the vicious succession of balls sent down by the low-born shit. She gets padded up in all her physical glory.
There then follows the contest between Gabriella and Jim, he, with a mixture of different balls and probing deliveries, attempting to break through her defences and she, determined and rock-like, trying to block him out. The game of cricket, the hard red ball, the long-handled bat, and so on, becomes the arena for the sexual tussle between the two principal characters. It becomes an extended metaphor for the game of love, and all its intricacies, and also for the sexual act, from foreplay to actual fulfilment. It is also the arena for the growing realisation on the parts of both Gabriella and Jim that they are madly in love with each other; their hate for each other, whether class-based or personal, is an expression not just of the sexual tension between them, but also, eventually, of their love for each other.
We meet other characters throughout the afternoon and evening, amongst others, the third-former Mary Collier, Jim’s sister, who has a crush on Gabriella, and whom Gabriella later realises is the child of her own father, Lord Blenkinsop, and therefore her own half-sister, and Fanny, a former acquaintance of Jim’s, who becomes a rival for Jim’s affections just when Gabriella thinks she has ensnared him. At the same stage, when Jim has to decide which girl he wants, the truth concerning Gabriella’s parentage is revealed to us (Chivers is her father), and helps Jim in his choice.
Their sexual sparring, on and off the pitch, entails various activities with ball and bat. Jim writes poems about Gabriella in between overs, Gabriella taunts him with her provocative dress and behaviour, and strange things occur with the hard red ball which, at times, smashes into Gabriella’s body or gets rubbed frenetically near Jim’s cock. Jim hits her with such a succession of venomous rearing balls that she is slowly divested of articles of clothing, and their love-hate affair culminates in a final over of frenzied bowling and batting which mirrors the sexual act of penetration and annihilation itself.
This is a sexual comedy, where the game of cricket, and who will be the winner or loser, is used as an image of love-making, romantic attachment and sexual intercourse. It is, ultimately, a love-story between two characters from opposite ends of the social stratum, a young innocent man’s first experience of sex and a young very experienced woman’s first experience of love. The ending is happy (or so, at least, it seems).
Hooked is the perfect storm of modern erotic romance and a wild adventure at sea.
Morgan Wolf is a complicated man living an uncomplicated life on a mega yacht he doesn’t own. He lets women believe what they think they see. It’s easier that way. No woman would want the truth he’s never shared.
Lara Lamb is sailing away from what she thought she wanted. Because she wanted the wrong things and always for the wrong reason.
Lara sees Morgan for what he is: a rich, shallow Peter Pan who happens to have a cute monkey. Trouble is she’s only right about the monkey.
She’s everything Morgan never wanted. She makes the easy way look like the coward’s way. Ready to take the chance, Morgan struggles with how to let Lara closer than anyone’s ever been.
The harder she resists him, the faster her clothes will vanish.
Outspoken Sarah Santorelli hides her sensitive side behind a gruff personality. Fear of abandonment causes her to manipulate romantic relationships to avoid involving her heart. But when her prying aunt casts a spell on her, Sarah ends up on a voyage of discovery on the open seas.
The problem? Every time Sarah lets her guard down, instead of casting off her emotional barriers —the spell makes an item of clothing disappear.
Anthony Mancini has clawed his way to the top. Along the way he’s become a workaholic, putting the demands of his company above those he loves. That’s how he lost Sarah, and he wants a second chance to prove he’s changed.
Thanks to Aunt Lilly’s spell, and a week-long European cruise, stripping Sarah of her defenses just got easier.
Joy thought she had the perfect man. Then they took a brief vacation, miles from the outside world, and he changed.
“If you’re thinking of running, you should probably start now.”
With those words, a chase ensues that won’t end until Paul has gotten everything he wants. And he wants a lot.
Chasing Joy is a short story (4,180 words) that includes consensual non-consent (ravishment), bondage, and fearplay.
Callie thought her man troubles were over when she accepts work at the Evans ranch. Until Blade Evans rescues her out of a tree and she winds up in his arms, and his bed. Against her will she starts to fall for the handsome cowboy. Then begins to wonder, as his new housekeeper, is she just a convenient outlet for his sexual urges? Or does he feel the same way about her?
Grace Hathaway is no stranger to tragedy. At the age of ten Grace tragically lost both her parents in a boating accident, leaving her older brother James to take over the task of raising his two younger sisters. Grace tries to lead the life of a normal teenager, but assumes some of the responsibility of caring for her younger sister Michelle and taking care of her parent’s home. Grace is a talented aspiring artist mature beyond her years. Her world is turned upside down the day that Ian Taylor, misfit-rocker-rebel, clanks his way into her mathematics class. At first sight, Grace is taken by Ian’s alluring nature. The two fall deeply in love with each other quickly. After learning of Ian’s troubled family life James allows Ian to move into the Hathaway home. A dramatic turn of events sends Ian and Grace on the road to Los Angeles, CA where Ian pursues his dream of becoming a rock star. New challenges present themselves to Grace as Ian dives head first into the lifestyle of an LA rocker. Forced to grow up all too quickly, Grace is now faced with heart wrenching circumstances that change her life forever.
The Falling of Love is the first novel in a series of novels that will follow Grace Hathaway’s life and personal struggles. Everyone has a beginning to their story and an end…
This is the beginning of Grace’s story.
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