Jacey Vaughn has a newly minted MBA when her father dies unexpectedly and leaves her his NHL team. Well-versed in business but not so much in hockey, Jacey navigates this new world with a few stumbles. She definitely doesn’t plan on falling for the team captain. At the first hint of scandal, a local Las Vegas reporter latches on, and Jacey finds herself in the newspaper with headlines that hurt instead of help. Jacey’s determined to keep her father’s legacy alive and make the team successful, but while she has no problem denying her feelings to the media, she can’t lie to herself.
Carter Phlynn has known nothing but hockey his entire life. Drafted into the NHL at age eighteen, winning the Stanley Cup is all he’s ever wanted. Nothing has ever disrupted his focus. Not until he meets his new boss. Jacey gets under his skin like no one else, and while dating the team owner would be a disaster for his career and reputation, he can’t get her out of his head. Carter has never had a relationship last more than a month, but the more he’s around Jacey, the more he can’t picture his future without her.
The last thing Chelsea Greene wants is to be rescued, but that’s exactly what happens when she’s caught wearing nothing but her swimsuit during a midnight emergency evacuation drill. Turns out her ‘hero’ is a former lifeguard who has no hesitation in offering the kiss of life. So not happening, right?
But for emotionally chastened Chelsea, one touch changes everything. She discovers a desire to satisfy this arrogant, demanding tease. Unable to express her own fantasies, she finds unspeakable pleasure in serving his.
Xander Lawson exudes easy charm. He likes a woman unafraid to match his appetite for unfettered fun. He doesn’t do complicated or emotional. But the raw need emanating from fragile Chelsea compels him closer. He can’t resist spinning a sensual fantasy world around them.
As passion spills outside their carefully selected boundaries, Xander learns Chelsea’s stronger than he first thought. But is she strong enough to handle the intensity he’s always kept hidden?
A young man, Igor, adopts as his mother a middle aged woman, Sylvia, after meeting her in a café, each having come from the nearby cemetery. He had been visiting his mother’s grave; she, her son’s. In taking it upon himself to investigate the death of Sylvia’s son, Igor soon finds himself confronting racists. Sylvia is black; Igor is white. The deeper he delves, the more intricately embroiled he becomes and the more he becomes the focus of a police investigation himself.
Alongside the surface interplay of the characters, Igor remains preoccupied with an inquiry into the nature of existence. Within the field of human activity, notions of ‘good and bad’ and ‘pleasure and pain’ are perhaps bound to prevail, but the essence of existence must precede such differentiation. The presence of suffering in the world should not be taken as proof that the world cannot be perfect. A photograph consisting only of black or only of white would probably seem pretty boring. A world consisting only of good or only of bad would perhaps be comparable to such a photograph. Each extreme acquires its significance by being in juxtaposition with its opposite. Happiness does not result from the elimination of suffering; rather, happiness may ensue when the realm of pleasure and pain has been transcended.
One aspect of the title, Black & White, relates to issues of race. Another aspect relates to Igor’s ability in violent situations to interpret matters in black and white terms. However, it is as a general phrase covering all dualities that the title derives its primary import. The use of the ampersand character in the title imitates its usage by photographers when referring to ‘black & white’ images, and is intended to denote a synthesis of the individual terms into a unitary whole.
The book includes some brief passages depicting scenes of polyamorous sex (pleasure) and homicidal violence (pain).
Sylvie works in an e-commerce company, ‘Good Vibration’, specializing in the distribution of adult toys. She’s surrounded by colorful people as well as interesting items she refuses to use.
The place has been her lifeline, even though it’s made out of silicone and plastic, for two and a half years as she still tries to come to terms with the devastation of losing of her husband while bringing up their daughter, alone.
Her world is turned upside down when her work partner collapses and his stepson, Finlay, comes in to sort out the business, which his family own.
The consummated snob isn’t impressed with it and wants it to shut it down. He finds the product and people distasteful … and it shows. And he has his own problems, as his beautiful French wife has just told him she’s pregnant but he might not be the father.
Determined to keep the place open, against someone fixed on closing it down, the pair fight tooth and nail to achieve what they want, both poles apart on how they see the world and why.
But could opposites really attract?
Or is it that they want to be with that person, but all for the wrong reasons?
It’s about finding unexpected love in the most extraordinary place when faced with every possible obstacle to stop having a ‘Good Vibration’.
Conor’s life consists of drugs, drink and getting dirty with as many women as possibly. He doesn’t care about the size, shape or colour as long as they want uncomplicated fun then he’s happy. For him love and relationships come with dire consequences and that’s not how he wants to live his life.
To Conor’s dismay, he finds his married boss Marcus, is having a fling with his very own sister Debs, and Conor has been asked to cover the trail by lying to the boss’s wife. The only problem is that he works with Neve and she’s no pushover.
When everything comes out into the open, his loyalty to friends and family are put to the test as people he thought he knew well are not what they seem. And when an ex walks back into his life he is once again ruled by the snake in his pants knowing she’s more than a handful to deal with.
Conor begins to find his simple hedonistic life being taken over by other people’s clouded judgement on their need for love, while he tries to avoid the same thing happening to him.
Except ‘love’ is creeping up on him in an unexpected place that he would just about do anything to avoid. And temptation is going to lead him and his loved ones into trouble with serious consequences.
A string of misfortunes has left photographer Carrie Daniels penniless and desperate. When her former mentor, Louise Dickenson, steps forward to offer her a job as an art model for a private commission, Carrie has no choice but to accept. Things seem to be looking up when she meets Scott Andrews, however her friends soon realize that Scott isn’t who he appears to be, and Carrie’s luck goes from bad to worse when Louise’s photos of her fall into the wrong hands. Can Alex Montoya, a long-lost friend from her past, save her from ruin?
HUCKLEBERRY MILTON is a brand new rewrite of Mark Twain’s Huckleberry Finn, set in a time warp between Haight-Ashbury in the Summer of Love and today, right here on the social-media Internet. It’s like Austin Powers meets The Office with a mix of 80s technology and today’s Internet. The experimental literary cut-up techniques, the pop culture references and and the psychedelic touches make it a book that can be read forwards and back, to and from anywhere. Now who’s got the remote for that 400-channel Russian satellite dish?